Take advantage of the most current algorithms and computer hardware with the all new easy to use Global Illumination engine. Animation Layers and Motion Clips tools let users easily build, layer and loop discreet motions containing hundreds of keyframes in complex hierarchies. The list of capabilities and enhancements that comprise the new CINEMA 4D R11 is extensive with each element designed to provide ultimate control to enhance the professional 3D modeling, texturing, animating and rendering process: “This exciting new version is as ideal for the novice as it is for the power user who wants to produce compelling imagery in today’s fast-paced environments.” “Our customers told us what they needed and we listened,” said Paul Babb, president and CEO of the MAXON US office. “Now MAXON customers can benefit from Pixar’s Academy Award-winning rendering technology, featured in Ratatouille, The Incredibles and many others.” “We are pleased, that MAXON has created the CineMan connection to Pixar’s RenderMan directly from within CINEMA 4D,” said Chris Ford, Business Director – RenderMan at Pixar, in the press release. CINEMA 4D R11 also boasts an all-new Cocoa-based architecture supporting 64-bit processing under Mac OS X Leopard. On average, rendering speeds are now more than twice as fast as the previous version. This release contains the next-generation features our customers worldwide have come to expect from MAXON.”Įxpanded integration options, new workflow tools and boosts in performance for both PC and Mac users sit at the heart of the new release. “MAXON has spent the last 20 years developing some of the industry’s most advanced 3D software technologies continually raising the bar for 3D animation software excellence,” said Harald Egel, CEO and co-founder, MAXON, in the press release. ![]() All of these capabilities and more serve to underscore MAXON’s ongoing and deep commitment to helping 3D digital artists further advance creativity and control. Additionally, multiple improvements were made to MAXON’s popular texture painting toolset BodyPaint 3D Release 4. Customers also benefit from the powerful Projection Man matte painting system, developed by MAXON for Sony Pictures Imageworks, support for the COLLADA file format and CineMan – a RenderMan-compliant tool that connects to Pixar’s industry-leading rendering solution. CINEMA 4D R11 highlights include a non-linear animation system, new global illumination render engine and dramatically improved render speed. The super-charged release is packed with advanced capabilities that deliver dramatically improved ease of use and workflow, image quality and integration into any production pipeline. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.MAXON Computer today unveiled CINEMA 4D Release 11 (R11), the next generation of its highly acclaimed 3D animation software suite. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. ![]() ![]() The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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